One Writer’s Process for Writing a Novel
I’m at the end of what, to me, is the most annoying part of the writing process: planning the story.
When I started writing, I wrote short stories, tons of them. My process of writing a short story is much like Ray Bradbury’s. Bradbury said: “My stories run up and bite me on the leg–I respond by writing down everything that goes on during the bite. When I finish, the idea lets go and runs off.”
A novel is a different beast. It is generally 50,000 to 100,000 words. Most of us couldn’t write one of them in an afternoon. Not even the prolific writer Isaac Asimov managed that. The story tension must be maintained throughout. There are usually many characters that must be kept straight and a few subplots that must interact in just the right ways.
Unlike a short story, which grabs my leg and hangs on until I write it down, a novel to me is more like hit and run. Then I have to catch it and wrestle it to the ground and try to tame it. At first, I have fun thinking of the possibilities. But as I get down to specifics the irritation sets in.
This is the period during which passersby accuse me of sitting around doing nothing or even sleeping. Well, sometimes I am sleeping, but sleeping is the best time to work on your story. It really is. You prime the pump, so to speak, by thinking hard about your story, then you drift off to sleep and let your subconscious do the work. You’d be surprised what kinds of revelations pop into your mind the next time you’re working on your story–while you’re awake, I mean.
Sometimes during the planning process I get a lot figured out. Sometimes not. That’s when I get impatient and start writing. I’ve never been good at just starting to write and letting the story flow–unless I have a solid idea of what the story’s about. If I don’t have the characters and their purpose in the story well delineated, if I don’t have a solid conflict, if I don’t have some idea of where I’m going, I usually wind up with hundreds of pages of junk.
When I wrote my second novel (which, alas, still is unpublished) it took me six months to get it started. I wrote, then threw away what I had written and started over. I did this several times. I’m not alone in using this method. Mark Twain wrote 400 pages of Huckleberry Finn, then tossed it and began again.
NOTE: I don’t mention my first novel simply because it was so bad that the garbage collector refused to touch it–he suggested I call the hazardous waste people.
I’ve been working on my current novel, a young adult dystopian story, for weeks (all right, months), and I still haven’t quite got it figured out. I have, however, just written a clear, concise paragraph in which my heroine states precisely what she wants and the major obstacle standing in her way of reaching her goal.
The paragraph has a character, a setting, a conflict, and a nemesis–although we don’t know from reading the paragraph that one of the other characters mentioned is the nemesis. That’s a surprise I’m saving for later.
Although I usually see a short story in its entirety and follow a familiar path to a foreseen conclusion, I usually begin my longer works without knowing what’s going to happen along the way. Sometimes I know how they will end, but sometimes I don’t. This is one of those times.
A famous sculptor, I forget who, said that he sees his finished work in a block of stone. He just chips away everything that isn’t part of his final sculpture. I look at writing the same way: the story is there, the writer just has to reveal it.
I’m ready to start the next phase, the less annoying phase, and start expanding on the paragraph. I’m ready to start revealing my story. I have a heroine and a nemesis, a setting, and a conflict. I want to find out what’s going to happen to these characters. My typing fingers are itching.
That’s a sketch of my writing process. What is your process?