Curtis Brown Writing Course: Not Enough Bang for the Buck
Curtis Brown UK will launch a writing course next year, which the agency touts as “the first and only new writing school to be run by a literary agency.” The course – which will run from May 5 to July 21, 2011 – is designed to help “15 talented writers to produce distinctive, compelling novels.”
Although the agency doesn’t guarantee representation of the student’s completed work, it does guarantee that “every student’s work will be read by a Curtis Brown book agent and every student will receive a detailed critique on their work at the end of the course.”
The price of the course is 1,600 Pounds (approximately $2,533 American).
Although it could be argued that because prospective students must apply and be accepted into the program it is not unlike applying to a college and then paying tuition. My problem with this is that writing a novel is not like taking Geology 101. Writing a good novel comes from practice, lots and lots of practice.
It’s unlikely that a person with little or no writing experience could win one of the coveted 15 spots, and a person who can write well enough to be accepted into the program probably is quite far along the road to becoming a successful novelist. I’m sure this course will impart valuable information, but I’m not sure the students will get enough bang for their bucks.
With all of the resources available on the Web and all of the books about writing (Donald Maass’ Writing the Breakout Novel and Writing the Breakout Novel Workbook are the best I’ve seen) and the writing groups where members give one another honest feedback, serious writers probably could learn as much as they would if they spend 1,600 Pounds ($2,533 American) to take this course.
Many agents, probably most agents, will give aspiring writers guidelines for revising their novels – if the agents think the novels promising, and salable – and they will do this for free. An agent asked me for revisions on one of my novels. I made the requested revisions, and she offered representation (she couldn’t sell the novel, but that’s another story).
The point I want to leave you with is: develop your craft, built a network, and – unless you are independently wealthy – think long and hard before you put up the price of a halfway decent used car for a writing course.