Occasionally I’ve heard science fiction writers complain that in order to create a future world or alternate reality they have to sacrifice characterization; to create a world and to create characters would take too long, be too wordy, and might bore the readers.
That is crap. It’s an excuse used by 1) lazy writers who don’t want to bother with characterization, and 2) inexperienced writers who haven’t yet learned to “show, don’t tell.”
Ray Bradbury created an unfamiliar world populated with well-defined characters in Fahrenheit 451, as did Margaret Atwood in The Handmaid’s Tale, as did Suzanne Collins in The Hunger Games, as have many other science fiction and fantasy writers.
You don’t need to waste lots of words describing your futuristic world; a few well-chosen words will do. In one of his stories, Robert A. Heinlein has doors that operate like camera shutters; they open automatically when someone approaches them and close after the character has passed through. To communicate this concept to his readers, as his character approaches a door, Heinlein writes three words: “The door dilated.”
Similarly, don’t waste words describing your characters; show them in action. The best way to engage your readers is to create characters who are like them, characters who want the same things and who react emotionally in the same ways. This establishes an emotional bond between your characters and your readers.
To create a dystopian world, find something that may be slightly wrong in our contemporary society and exaggerate it so that it is has caused your future society to be seriously out of whack. For example, Ray Bradbury took censorship to the next level in Fahrenheit 451 when he envisioned a future in which firemen seek out illegal collections of books and burn them.
So you have characters to whom your readers can relate, and you have a society in which something is broken. Now combine the two.
Remember that, although the characters have an emotional tie to contemporary readers, their thoughts and actions must be consistent with the society in which they live. In Fahrenheit 451, for example, at the front of the characters’ minds all the time is the knowledge that possessing a book is a serious crime. They know also that speeding 100 miles per hour down the freeway and trying to hit anything that moves is a good, and accepted, form of recreation.
That’s it in a nutshell. Writing a solid dystopian story is as easy as writing a contemporary story if you follow these three guidelines:
The article originally appeared on BEAUTY IN RUINS on April 12, 2012