If you think a nuclear war would be a good idea, or even if you don’t, you should read this book.
The atomic bomb was first used in warfare on the morning of August 6, 1945, when it was dropped from a high-altitude U.S. aircraft on the Japanese city of Hiroshima. The bomb was the culmination of several years of work by U.S. scientists, and many involved with the project weren’t even sure if it would work.
It worked. Hiroshima had a population of 245,000. About 100,000 died, and another 100,000 were injured (and most of them would suffer from varying degrees of radiation sickness for the rest of their lives). The blast destroyed everything at ground zero, and the shock waves and heat collapsed buildings and set fires for miles around. Three days later, since the first bomb apparently didn’t convince the Japanese Emperor to surrender, the Americans dropped an A-Bomb on Nagasaki. Apparently, that convinced the Emperor, and World War II ended.
American journalist John Hersey interviewed many of the survivors and published Hiroshima in 1946. Nearly 40 years later he returned to Japan to interview those still living and the relatives of those who were not, and he added a final chapter–The Aftermath–to a new edition of his book, published in 1985.
Several things we must remember if we ever catch ourselves thinking that a nuclear war wouldn’t be so bad:
The Hiroshima bomb was a fart in the wind compared to the A-Bombs we have now; after seven decades of research and development, humankind has developed bombs a thousand times more destructive than that first feeble attempt, and today’s bombs don’t have to be dropped from airplanes–we have missiles now.
In 1945, the U.S. was the only country in possession of an A-Bomb; now there are many (the latest count, I believe, is 24), and if we start lobbing A-Bombs around, we are likely to piss off some of those countries who, in turn, will start lobbing A-Bombs around.
We have a president who, in a one-hour foreign policy briefing, allegedly asked three times why we shouldn’t use nuclear weapons, as long as we’ve got them.
If a full-scale or even a partial nuclear war breaks out, we won’t be able to watch it unfold on our TV’s, laptops or phones from the security of our comfy living rooms the way we can watch overseas wars now; the war will be brought home for us to experience in all of its fire and glory.
I think it’s highly likely that Donald Trump, given his temperament and unpreparedness for the job of Commander In Chief, will drop an A-bomb on a civilian population. The question is when will he drop it and on whom.
Albert Einstein said: “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.”
Given the destructive power of today’s A-Bombs, there might not be anyone left alive to fight World War IV.
My rating: 5 of 5 stars
The trade paperback edition of Jamie Ford’s debut novel, Hotel on the Corner of Bitter and Sweet, hit bookstores on October 5, 2009, and within a week had climbed to number 15 on the New York Times bestseller list. By October 23 it had peaked at number 13. Since then it has remained in the top 30, ranging up and down from the mid teens to the high 20s (as I write this on the first day of summer 2010, it is #27).
An unusual achievement for a first novel, but Hotel is an unusual novel. It is about the relationship between Henry Lee, who is Chinese, and Keiko Okabe, who is Japanese. The story begins in 1986 when Seattle’s Panama Hotel is preparing to re-open after having been closed for more than forty years. The personal belongings of many Japanese families are found in the basement–apparently stashed there when the families are relocated to internment camps during WWII. Henry gets permission to go through the treasures, searching for anything that might have belonged to the Okabe family, but in particular for a recording by a local jazz artist that he and Keiko had shared when they were 12 years old. Although Henry married (his wife has recently died) and had a son, the memory of his first love has always haunted him because they were separated when she and her family were sent to a camp. To complicate matters, Henry’s father despises the Japanese because they are the enemies of China. He makes Henry wear an “I am Chinese” button so that he won’t be mistaken for the enemy.
This is a love story, but it is also about subtle forms of racism. Henry is not accepted by other Chinese kids because he attends a Caucasian school. Keiko is sent to an internment camp although she is third generation American and doesn’t even speak Japanese. The story shifts deftly between 1986 and the 1940s. Ford’s research and writing style make the war years and his characters come alive. Especially poignant is Ford’s depiction of the death of a community after its residents are rounded up and shipped out. An excellent novel. I highly recommend it.
Ford himself is of Chinese descent. His great grandfather, Min Chung, who immigrated to the U.S. around 1865, changed his name to the more western-sounding William Ford. Jamie Ford’s second novel is scheduled for release in early 2011. For more information, visit Jamie’s Website.
"You don't have to burn books to destroy a culture. Just get people to stop reading them." - Ray Bradbury.
"If they give you ruled paper, write the other way." - Juan Ramon Jimenez.
“I disagree with the advice ‘Write about what you know.’ Write about what you need to know, in an effort to understand.” – Donald Windham
“There is a cult of ignorance in the United States, and there always has been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'”
The stories in the mini-collections ELEVATOR, PROSPECT STREET, and BALL OF FIRE are published together in THE MOANING ROCKS AND OTHER STORIES.